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Carl Hiaasen fetured 2013


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Carl Hiaasen takes aim at celebrity culture in "Star Island"

Carl Hiassen on Florida and Politics


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Read Hiaasen


Read an excerpt from "Chomp" bullet Find "Chomp" in BOSS

Star Island

Read an excerpt of "Star Island" bullet Find "Star Island" in BOSS


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About Hiaasen

Since 1985 Hiaasen has written a regular column which still appears on most Sundays in The Herald's opinion-and-editorial section. For his journalism and commentary, Hiaasen has received numerous honors, including the Damon Runyon Award from the Denver Press Club and the Lifetime Achievement Award from the National Society of Newspaper Columnists. 

Hiaasen’s work has also appeared in many well-known magazines, including Sports Illustrated, Playboy, Time, Life, Esquire and, most improbably, Gourmet. 

In the early 1980s, he began writing novels with his good friend and a distinguished journalist, the late William D. Montalbano. Together they produced three mystery thrillers. Tourist Season (1986) was Hiaasen's first solo novel. GQ magazine called it "one of the 10 best destination reads of all time," although it failed to frighten a single tourist away from Florida.

Hiaasen made his children's book debut with Hoot (2002), which was awarded a Newbery Honor and spent more than two years on the New York Times bestseller lists. For young readers he went on to write Flush (2005)  Scat (2009) and Chomp (2012). The film version of Hoot was released in 2006, directed by Wil Shriner and produced by Jimmy Buffett and Frank Marshall.

Together, Hiaasen's novels have been published in 34 languages, which is 33 more than he is able to read or write. Still, he has reason to believe that all the foreign translations are brilliantly faithful to the original work. The London Observer has called him "America's finest satirical novelist," while Janet Maslin of the New York Times has compared him to Preston Sturges, Woody Allen and S.J. Perelman. 

One of Hiaasen's most well-known novels, Strip Tease, became a major motion-picture in 1996 starring Demi Moore, and directed by Andrew Bergman. Despite what some critics said, Hiaasen continues to insist that the scene featuring Burt Reynolds slathered from his neck to his toes with Vaseline is one of the golden moments in modern American cinema. 


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